The Romance of Motion Picture Production

A study of directing built from the working methods of the filmmakers who defined it, with chapters on preparation, picture sense, atmosphere and the handling of actors. Used as a supplementary text at the New York Institute of Photography.

Peter Milne

An extended conversation in which one of the most influential contemporary directors walks through his films, his working method and the decisions behind them. A rare look at how a director thinks between script and screen.

Michael Berry

A collection of essays on Bergman drawing on his own archive, covering his direction of actors, his work across film and theatre and the shaping of his authorship. For readers who want to study a director in depth.

Erik Hedling